| "> | | | | second of mental energy directed at a weakness. |
| When you are doing energetic corrections on | | | | More time spent on the midline is not better. A |
| another person, you can clarify the problem or | | | | correction happens instantaneously and spending a |
| issue to be addressed by using an appropriate line | | | | lot of time on the midline does not increase the |
| of questioning. Go initially from the more general | | | | potency of a correction. |
| areas to the specific. Specifics can help with | | | | Simply put, all corrections are done on the midline |
| corrections; long stories, however, do not. For the | | | | of the body-and they are done quickly. |
| most part, excess words and long stories hinder | | | | Statements can be expressed either verbally or |
| the correction process. | | | | non-verbally. Corrections are made with mental |
| You can decide where to make the correction in | | | | contact at the correction point. |
| a person's body by scanning down the midline | | | | People talk about picking up other people's energy. |
| (from the shoulders to the waist). As you get | | | | The more you do this energetic work, the less |
| more practiced, a correction will find the correct | | | | you have to be concerned about the negative |
| place on the midline of its own accord. | | | | energy of other people. The less you will be |
| The point on the midline where you feel a mental | | | | concerned about anyone else's energy affecting |
| weakness is the point of correction. Making | | | | you negatively. |
| contact mentally at that point will create a | | | | You have no cause to pick up other people's |
| correction. | | | | negative energy unless you choose to do so. |
| Use your mind to think about directing energy to | | | | Achieve self-mastery with corrections and this |
| the point that needs correcting. Do not | | | | should not happen. |
| underestimate the value of one second, or a split | | | | |